| Home | Parks & Forests | Camping | Hiking | Links | About Us |
The greenway is open to all manner
of non-motorized vehicles, including skateboards,
skates, scooters, and bicycles. Bicycles are only
allowed on paved trails in the Museum Park.
Dogs are also to stay on paved trails and should be leashed.
The main loop comprising a leg of
the greenway and the park's half-mile Museum Green Trail
brings you from one side of the museum around to the other.
It and the greenway are paved and mostly flat.
The one-and-a-quarter-mile portion of the greenway
is called the House Creek Greenway Trail
in the Museum Park, but is known as the Reedy Creek Trail
portion of the greenway system.
To the east it connects to a pedestrian bridge
over I-440, a landmark on the city's beltline.
It includes a fairly steep hill toward the final
leg before the bridge. To the west, it crosses
Blue Ridge Road and eventually connects to
N.C. State's Schenck Forest and Umstead State Park.
There are a couple
of other short, undesignated connecting trails in the
park as well. A creek runs through the property, and
a drainage pond sits behind the museum off of the Museum
Green Trail. Looking across the pond and the green from a park bench, you can see the back of the museum and the amphitheater at left.
Guided tours are available for community and school groups,
and can include education components related to nature,
the environment and art for school kids. Occasional
weekend tours for individuals can be arranged.
The Gyre by Thomas Sayer (at the top of this page) is
the park's signature artwork. It can be seen from some
parts of the amphitheater and is lighted at night (the
park closes at sunset). Some of the other pieces are
temporary.
Here's a map of the park.
The Art Museum Park is just west of the beltline in Raleigh. (Map)Museum Park
The Museum Park, which covers more than 100 acres in total, offers an easy loop walk, short excursions among the trees and fields, or access to Raleigh's greenway trail system. As a bonus - there's art. Several sculptures dot the park.
Users need to be cautioned that the land across the
bridge is Meredith College's land, and they close
a gate at sunset. They don't play either; if you're
on the wrong side of the gate when it's time to close,
tough luck. I know one of a trio of middle-aged women
who had to climb the gate to get back to their cars at
the museum despite their appeals to the security guard
who was young enough to have been one of their sons.
(The city is working on an alternate path that skirts
Meredith's property.)
In addition to the paved loop, the Woodland Trail
is a third of a mile long and connects to the greenway
at either end. It includes some elevation changes,
but is still an easy walk. The Prairie Trail cuts
through a former pasture that is slowly being converted
into a Piedmont prairie with native wildflowers and
grasses. It is four-tenths of a mile long and a slight
incline heading toward the museum.
Patrick Dougherty's Trail Heads, woven from locally
gathered sweet gum and maple saplings, is like an elaborate
fort with several rooms. I remember thinking that, in my
day, kids seeing this on a field trip would be cutting
trees and limbs at home afterward to make their own.
Do kids still build forts? (This sculpture has been removed from the park.)
Crossroads, by Martha Jackson-Jarvis, is described
as "a tall sentinel of glass, carnelian and shattered
brick marking the juncture of two trails." It looks
like a cigar standing on end. I had never seen a photo of it among the
few in newspapers and magazines that showed the small
pieces of colored stone and glass among the brick.
The Cloud Chamber for the Trees and Sky by Chris Drury
is a small brick room you can enter. A pinhole in the
roof is supposed to make an inverted image of the sky
inside the chamber. It's a nice place to sit in the
cool dark for a few moments, anyway.
To See Jennie Smile, also on the Woodland Trail, is
a stack of newspapers and wood by Steven Seigel.
Pam, who is a copy editor for The News & Observer,
spotted a headline she wrote.